Create a production book for the production transfer from Budapest to San Diego.

Track and set paint props, devising a paint preset for both acts that allowed singers to easily access two types of paint (set-friendly paint and costume-friendly paint) while on stage.

Work with covers to review character work, blocking, and choreography. Two of our covers for the San Diego production were appointed last minute, as it wasn’t clear if our Hungarian singers and director would be able to make it to the United States due to visa issues. 

Walk through staging tracks for singers who fell ill. We had two cases of COVID-19 in the cast among the principals, and I performed their blocking when they were out of rehearsal.